WELCOME

Welcome to Erazer Magazine! Born from a love of music and the arts, our aim here at Erazer is to bring you the best in new music, live reviews, album/single reviews, interviews, promotions from all over the UK!

Find out more here.

EDITORS
Editor / Photographer
JOIN US

Do you share our mutual love for all things music and the arts? Consider yourself a budding journalist, photographer or both? Do you have ideas that you’d like to turn into features? If so, drop an email to the following address and let’s discuss further.

editor@erazermag.com

Chalk

Review: Chalk – Conditions II

In walks the dark
Until I go
I’ve seen the light
That nobody knows

The Extended Play is a wonderful invention. Just enough music to ascertain whether you drop the notion of having a new favourite band or leave you gasping for more more MORE.

In the case of Chalk, I have to admit on first hearing, I wasn’t that fussed, and actually found the sheer intensity of it all, a little too much. But on several repeated listening sessions to the four track EP Conditions II, released on Nice Swan Recordings, my interest has certainly peaked.

Having only recently come across the Belfast trio, I had not even had a chance to stumble into their 2023 EP, Conditions to build any opinions off.  This follow up EP opens with a quasi industrial-electro-punk number. The Gate is, for me, an odd opener if you’re trying to listen to Chalk for the first time.  It’s full of high adrenaline, static and deep and pained vocals from vocalist Ross Cullen all of which has you on the fence trying to dance off a panic attack.

Endure that however, and suddenly you’re hit with Claw – like the sound of a sweaty and gloomy illegal rave, and you’ve got too close to the strobe light. It’s quite the infectious banger. Thunderous synth and menacing guitar lines. Dance music but make it punk.  Shut your eyes tightly and let this one throw you about a little. Cullen says the lyrics are about ‘falling in love inside of your nightmare’ – cute.

Kevlar is a trip, with a lack of percussion, swirling strings, reverb and vocals to match, it’s quite astonishing to listen to, and now suddenly you begin to figure out and appreciate a band that are pushing boundaries with style, sound and genre. 

The final track, Bliss is particularly pleasing for the indie-kid in me – probably the most conventional offering on the EP, but is a fantastic euphoric guitar track, with hard drums and gorgeous contributions from Constance Keane, AKA Fears on the counter vocals.

Despite that familiarity, it underwrites Chalk as a band that likes to take risks. Each offering on one short EP is completely different and that is very exciting to me.  With a growing live reputation (fresh from winning ‘Best Live Act’ at the Northern Ireland Music Prize 2023) It seems highly likely that Chalk will continue to smash their wrecking ball sounds across the UK and beyond.

Related Posts
Read More

Album Review: CAST – Yeah Yeah Yeah

Cast have been moving from strength to strength in the second half of their career, especially bolstered after a support tour with Oasis last year. Not stopping for a second after releasing 2024’s Love Is The Call, their latest album, Yeah Yeah Yeah, is their eighth studio album.
Read More

Album Review: Crystal Tides – Toothpaste

As someone born and raised in Portsmouth, there’s a genuine sense of pride in watching Crystal Tides develop over the past few years, not only musically, but as individuals too. That growth is woven throughout Toothpaste, an album that feels like the culmination of countless local shows, steady refinement, and a band finally stepping fully into their own without losing their hometown pride.
Read More

Album Review: MIKA – Hyperlove

On Hyperlove, MIKA reminds us exactly why he has always occupied a lane entirely of his own. This is his first English-language studio album since 2019, and rather than feeling like a cautious return, it bursts forward with real theatrical confidence.