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Reviews

79 posts
Gurriers
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Album Review: Gurriers – Nobody’s Coming To Save You

The title track of the album ‘Nobody’s Coming to Save You’ features teasing guitar parts with a final release in the chorus. The charm of the Dublin accent and the repetition of the chorus, aided by the strong chords driving the melody, particularly toward the end of the song, leaves the listener blind to their next musical feat. Similar to their single ‘Erasure’, ‘Party Lines’ bass, as well as Dan’s strong vocals, give the impression that Gurriers have found their own inconceivable, unique sound and continue to flourish as musicians.
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Album Review: Beabadoobee – Pylon

And with Pylon, Beatrice Laus, aka Beabadoobee, does just that, churning out a 14-song record that captures an entire spectrum of emotion we’ve undoubtedly all felt.  
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Album Review: RØRY – BLOODLETTING

However, for anyone who is a fan or has seen RØRY live, they will know that they, in fact, have a strong voice and the effects are more for “artistic taste”. I was excited to see what happened with the new album, to see if there were any changes.
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EP Review: Arkayla – Back to Belle Vue

At the heart of the UK’s music scene, the city of Manchester continues to deliver, with its latest export, Arkayla, deepening their exciting discography with four diverse tracks on their new EP, Back To Belle Vue. 
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Album Review: DMA’s – DMA’s

The three-year wait for new DMA’S music is finally over, and fans of Australia’s indie rock trio have been rewarded for their patience in this 11-track self-titled collection that captures a vulnerable, mature expression of yearning and nostalgia. 
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Album Review: Man/Woman/Chainsaw – Cannonball

Following a string of acclaimed singles, frenetic festival slots and a swiftly sold-out album release show at The George Tavern, our favourite chaotic orchestra Man/Woman/Chainsaw are finally letting us in on their long-awaited debut album Cannonball.
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Single Review: Harvey Jay Dodgson – Kick

Anyone listening to a new piece of music should know that having the volume low is a rookie mistake. ‘Kick’, the single that gives us our first taste of Harvey Jay Dodgson’s upcoming fourth EP, is proof that when it comes to bolshy indie pop like this, you need to rack that volume up to the full 100.