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Reviews

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Album Review: Basht – Poor Advice

If it feels like Basht have entered with might and velocity, it’s because they have. Hailing from Dublin with a back catalogue built from the clashing of fuzzy guitars and a gloriously grungy rhythm section, the band are seeking to stand out amid the Irish scene’s steady stream of musical exports.
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Album Review: Walt Disco – Self-Titled

What you are about to read is a bunch of sentences about how cool Walt Disco are. Because, seriously, after making waves in Glasgow’s underground scene with their first album, Unlearning, in 2022, and their second, The Warping, in 2024, their third, self-titled LP transports us back to the band’s unique universe with the same gothic elegance and sonic dynamism, but this time elevating their vision to transformative, deeply moving new highs.
Gurriers
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Album Review: Gurriers – Nobody’s Coming To Save You

The title track of the album ‘Nobody’s Coming to Save You’ features teasing guitar parts with a final release in the chorus. The charm of the Dublin accent and the repetition of the chorus, aided by the strong chords driving the melody, particularly toward the end of the song, leaves the listener blind to their next musical feat. Similar to their single ‘Erasure’, ‘Party Lines’ bass, as well as Dan’s strong vocals, give the impression that Gurriers have found their own inconceivable, unique sound and continue to flourish as musicians.
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Album Review: Beabadoobee – Pylon

And with Pylon, Beatrice Laus, aka Beabadoobee, does just that, churning out a 14-song record that captures an entire spectrum of emotion we’ve undoubtedly all felt.  
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Album Review: RØRY – BLOODLETTING

However, for anyone who is a fan or has seen RØRY live, they will know that they, in fact, have a strong voice and the effects are more for “artistic taste”. I was excited to see what happened with the new album, to see if there were any changes.