WELCOME

Welcome to Erazer Magazine! Born from a love of music and the arts, our aim here at Erazer is to bring you the best in new music, live reviews, album/single reviews, interviews, promotions from all over the UK!

Find out more here.

EDITORS
Editor / Photographer
JOIN US

Do you share our mutual love for all things music and the arts? Consider yourself a budding journalist, photographer or both? Do you have ideas that you’d like to turn into features? If so, drop an email to the following address and let’s discuss further.

editor@erazermag.com

Album Review: Yard Act – You’re Gonna Need A Little Music

“By now you’re either with us, or you’re not / So you can sit down, shut up and listen / Or switch this shit off.”

You’re Gonna Need A Little Music by Yard Act

Music is better when it blends euphoric post-punk sounds with deeply wry yet hopeful spoken-word observations about the bleakness of human existence. Step forward the lads from Leeds, Yard Act. Released via Island/EMI Records, a third offering following 2024’s Where’s My Utopia? and the Mercury Prize-nominated The Overload comes the ever-inviting and pretty sound advice: You’re Gonna Need A Little Music.

Recording between their beloved hometown and LA under the watchful stewardship of producer Justin Meldal-Johnsen (Nine Inch Nails, Beck, St. Vincent), the band recorded the entire album live in one room, which sounds normal, but these days is apparently quite unusual. Less laptops, more eye contact.  This gives the record a certain edge, a newfound layer of bombastic energy (take Fiction as an example), while lead singer James Smith continues his blend of singing and spoken word to a delightful, gnarly effect in the Jarvis Cocker and The Bad Seeds opener Empty Pledges

Yard Act | Photo Credit: James Winstanley

Lead single Redeemer is even grimier. You can’t escape the angst as it shakes you violently as you’re trying to go about your day, while Thrill of the Chase is quite exhausting and uncomfortable to listen to, actually, but it grows on you. While New Beginnings and Tall Tales feel quite familiar to Yard Act followers – the spoken word/burst of punk /harmony formula rinse-repeat working very hard and very well- the record does grow a sonic sprawl not heard on the previous offerings, from disco to funk to psychedelic Britpop. The title track is wonderfully anthemic with the flicks of piano while Smith gets a little bit Skinner on us on the witty yearnings of Janey Said.  


Despite familiarity in places, this record offers us a band full of confidence, crafting a rich, aromatic spice rack of sound that can both reverberate and cure your worries and anxiety in one go. Sign me up for a little music.

4.0 rating
4/5
Total Score
Related Posts
Richard Ashcroft
Read More

Album Review: Richard Ashcroft – Lovin’ You

Richard Ashcroft is back, and he’s reminding us exactly why he’s one of Britain’s most enduring voices in modern music. After supporting Oasis on their stadium reunion tour across the UK - and soon to follow them on their South American dates - Ashcroft has returned to the spotlight with Lovin’ You, his seventh studio album, blending introspection, romance and the occasional musical curveball.
Read More

Album Review: Bleachers – everyone for ten minutes

Bleachers have always had a gift for making nostalgia feel cinematic, and on ‘everyone for ten minutes’, Jack Antonoff leans into that strength beautifully. The band’s fifth studio album feels hopeful, romantic and reflective all at once - a collection of songs that don’t rush to demand attention, but instead slowly pull you into their world layer by layer.
Mumford & Sons
Read More

Album Review: Mumford & Sons – Prizefighter

What instantly stands ‘Prizefighter’ out is that it’s a record jam-packed with collaborations from some A-list artists (Chris Stapleton, Gracie Abrams, Hozier and Gigi Perez) who all add their own voice and make it varied enough to be worth a listen.