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Welcome to Erazer Magazine! Born from a love of music and the arts, our aim here at Erazer is to bring you the best in new music, live reviews, album/single reviews, interviews, promotions from all over the UK!

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Do you share our mutual love for all things music and the arts? Consider yourself a budding journalist, photographer or both? Do you have ideas that you’d like to turn into features? If so, drop an email to the following address and let’s discuss further.

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Guest Contributor

43 posts
Slam Dunk 2025
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Preview: Slam Dunk 2025

Slam Dunk has quite rightly secured it place as a staple of the rock, metal and ska scene, internationally! This once-local festival is now a full-blown international celebration of alternative music, and if the lineup is anything to go by, this year’s Slam Dunk might be the best one yet.   
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The Snuts – O2 Academy, Bristol

On a rainy Sunday evening, the sold-out O2 Academy Bristol was buzzing with anticipation as The Snuts - Jack Cochrane on vocals and guitar, Joe McGillveray on guitar, Callum Wilson on bass and Jordan Mackay on drums - brought their signature dynamic energy and emotional lyricism to the stage.
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Wunderhorse – O2 Institute, Birmingham

Wunderhorse graced the second show of their UK tour at Birmingham’s O2 Institute with the confidence of seasoned pros, largely thanks to their fearless leader: Jacob Slater. Slater’s gutsy performance showcased him not only as a musician but as a well-rounded performer. The crowd hung on his every move. His musical endeavors, including his work with Dead Pretties and his solo album Pinky I Love You, have culminated in what I think is Slater's best work with Wunderhorse and their 2024 album, Midas.
Richard Hawley
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Review: Richard Hawley – In This City They Call You Love

Fans of the sometime Pulp guitarist who have followed his solo career in the twenty ten years or so will find a Richard Hawley they are very familiar with on his new album, his ninth, In This City They Call You Love. He lays down dollops of reverb on both his voice and his guitar, sounding at times like a lower-pitched Roy Orbison or a less twangy Duane Eddy. Hawley loves his 50s and 60s ballads and he reworks a well-worn song structure, without really adding anything modern.