Celebrating the release of her third album, Sigrid transformed London’s Roundhouse into an almighty dance party.
Fresh from the release of her 2025 album There’s Always More That I Could Say, which climbed to number 12 in the UK Album charts, Norwegian popstar Sigrid brought her latest tour to a sold-out Roundhouse. By the end of the night, the iconic venue had been transformed into a full-blown pop celebration.
Opening the evening were London trio Etta Marcus, whose soft rock sound was warmly received by a crowd that steadily filled the venue throughout their set. By the time they left the stage, the Roundhouse was virtually packed and ready to party.
The booming cry of “London!” signalled Sigrid’s arrival, before she launched straight into I’ll Always Be Your Girl, the opening track from the latest record. The reaction was instant. The room erupted into movement as the singer danced across the stage, her infectious energy mirrored by the crowd. Without missing a beat, she kept the momentum going with the hit single Burning Bridges, sparking the first of many raucous sing-along choruses.
The setlist struck a careful balance between newer material and fan favourites. Recent tracks like Kiss the Sky and Hush Baby, Hurry Slowly sat comfortably alongside beloved hits such as Head on Fire, High Five, and Suckerpunch, each one sending waves of enthusiasm through the crowd as the entire room bounced along.
One of the evening’s standout moments came during Jellyfish, the lead single from her new album. Fans enthusiastically waved their arms to mimic the sea creature referenced in the song, cresting a playful and visually memorable moment. Throughout the performance, Sigrid’s soaring vocals and commanding stage presence were impossible to ignore; emotive, powerful, and entirely in control. The audience, made up of fans of all ages, remained on their feet for much of the show, particularly during highlights like Mirror and Don’t Feel Like Crying. Between songs, the singer took moments to interact with those near the barricade, waving and expressing heartfelt gratitude for their support.
For many solo artists, commanding a large stage for a full ninety-minute set can be a daunting task. For Sigrid, however, it appeared effortless, unsurprising for a performer already accustomed to some of the world’s biggest stages.
Around an hour into the show, the party briefly gave way to a more intimate moment. “We’re gonna make you cry now,” joked the Norwegian, before introducing the album’s title track. The mood softened as fans swayed gently, their phone torches illuminating the historic venue. The singer also took to the piano herself to lead heartfelt renditions of Home to You and Dynamite. The sing-along that followed was emotional, with the sincerity in her voice making it clear how much the moment and the crowd’s support meant to her.
When her band returned, the atmosphere quickly shifted back into party mode. The energy surged again with the 2023 single The Hype, before more new material took centre stage. Fort Knox proved to be a particular highlight, its anthemic synths and explosive chorus sending the Roundhouse into another frenzy as fans shouted the lyrics back. After a swift encore, Sigrid returned to deliver a final burst of energy. Don’t Kill My Vibe had the entire room belting out its uplifting chorus before 2019’s anthem Strangers brought the night to a triumphant close. At times, the audience’s voices were nearly loud enough to drown out Sigrid herself, a testament to just how beloved these songs have become.
It’s rare to see a show packed with so many recognisable hits while still leaving plenty more in reserve, but that’s exactly what Sigrid delivered. The night was a celebration not just of her third album, but of a catalogue that continues to resonate widely. With playful stage presence, powerful vocals, shimmering pop synths and unmistakable Norwegian flair, she proved once again why she remains one of pop’s most compelling live performers.
Underrated? Quite possibly. But after a night like this, it’s clear Sigrid’s reputation as a live act deserves far more attention.
