WELCOME

Welcome to Erazer Magazine! Born from a love of music and the arts, our aim here at Erazer is to bring you the best in new music, live reviews, album/single reviews, interviews, promotions from all over the UK!

Find out more here.

EDITORS
Editor / Photographer
JOIN US

Do you share our mutual love for all things music and the arts? Consider yourself a budding journalist, photographer or both? Do you have ideas that you’d like to turn into features? If so, drop an email to the following address and let’s discuss further.

editor@erazermag.com

Future Islands

Future Islands ‘Say Goodbye’

At the end of this month, Future Islands will release their highly anticipated new album, People Who Aren’t There Anymore (26 January 2024). The band have shared another new song, ‘Say Goodbye,’ an examination of a long distance relationship unravelling, with Samuel T. Herring crooning: “When I don’t wanna say goodnight / And every day without you feels one closer to goodbye / I just need to make this world seem right / You just sleep tight, til I’m on your side.”
 
‘Say Goodbye’ follows previously released songs ‘The Fight,’ ‘Deep in the Night’, ‘King of Sweden’ and ‘Peach’. More recently, the band shared ‘The Tower,’ alongside a video directed by Jonathan van Tulleken (Top Boy, Shogun). This marks the second project Van Tulleken and Herring have worked on together following Apple TV’s The Changeling, whose first season aired this fall.

From the start, Future Islands have been singular and instantly identifiable, with Herring’s life-worn croons and cries backlit by Gerrit Welmers’ melodies and charged by the rhythms of William Cashion and Michael Lowry. That premise hasn’t changed on People Who Aren’t There Anymore, but never before has the band sounded so empathetic and Herring so integrated, with what he is singing and how they sound blended like a dioramic mosaic.
 
People Who Aren’t There Anymore, the band’s seventh album, heralds a new chapter for Future Islands who, despite having formed nearly two decades ago, continue to challenge themselves and each other. Where they’ve pursued ever-higher energy anthems in the past, they’ve turned inward this time and unlocked a new level of ferocity. The album delivers some of their most inspiring and heart-breaking tracks by doing the opposite: taking their time, and making each breath, syllable and cymbal crash count. The result is a powerful, defining statement from a group of musicians that have made the best album of their career.

Related Posts
Read More

Album Review: MIKA – Hyperlove

On Hyperlove, MIKA reminds us exactly why he has always occupied a lane entirely of his own. This is his first English-language studio album since 2019, and rather than feeling like a cautious return, it bursts forward with real theatrical confidence.
Read More

Wolf Alice return with new single ‘Bloom Baby Bloom’ from their fourth album ‘The Clearing’

Seminal British band WOLF ALICE have returned with new single Bloom Baby Bloom alongside highly anticipated news of their fourth studio album The Clearing, confirmed for release on 29 August via their new global label, Sony Music. Written in Seven Sisters and recorded in LA with Grammy-winning master producer Greg Kurstin last year, The Clearing reveals where Wolf Alice stand sonically in 2025, delivering a supremely confident collection of songs bursting with ambition, ideas and emotion.