WELCOME

Welcome to Erazer Magazine! Born from a love of music and the arts, our aim here at Erazer is to bring you the best in new music, live reviews, album/single reviews, interviews, promotions from all over the UK!

Find out more here.

EDITORS
Editor / Photographer
JOIN US

Do you share our mutual love for all things music and the arts? Consider yourself a budding journalist, photographer or both? Do you have ideas that you’d like to turn into features? If so, drop an email to the following address and let’s discuss further.

editor@erazermag.com

The Murder Capital – Electric Bristol

Electric Bristol — formerly known as SWX — was packed to the rafters as Dublin’s The Murder Capital brought their Blindness tour to town. Before they took to the stage, support came from newcomers Cusk, fronted by Esmé Creed-Miles. Their set of unreleased material was atmospheric and promising, setting the tone for the evening.

Crus – Photo Credit: Tim Alban

The Murder Capital emerged to an electric reception, opening with “The Fall,” the haunting first track from Blindness. Live, the song’s shifting dynamics hit even harder, moving from fragile quiet to explosive noise in seconds. “More Is Less” and “Death of a Giant” followed, ratcheting up the intensity as the floor became a swirling mass of bodies.

The Murder Capital – Photo Credit: Tim Alban

The night leaned heavily into their latest record — a decision few would argue with. Blindness showcases a more expansive sound for the band, and live it feels even more vital. James McGovern remains a magnetic presence, his voice veering between a whisper and a howl, while the band’s unorthodox guitar work and brooding energy gave the evening real weight.

There’s a feeling tonight that The Murder Capital are moving into the next phase of their career – and in this form, much bigger rooms surely await.

The Murder Capital

Crus

Related Posts
CKY
Read More

CKY – The 1865

I found myself travelling to a gig comprising a Numetal opener to a headline of CKY. I also find myself surprised it's not 2003 and I’m not 18… And here was to start my review full of nostalgia and comparing old vs new. The gig was filled with a surprising wide range of ages, and a band synonymous with skating and gaming being relevant today really appealed to that nostalgia after 25 years of music. However, having left the gig I was left confused as to why I wasn’t swept up in a haze of rose-tinted sentimentality. But considering the aftermath, the reasons all come together. 
Read More

Victorious Festival 2025 – Review

Victorious Festival struck a perfect balance between indie edge and family-friendly charm. Set against the picturesque Southsea seafront, the festival’s three days were bathed in uninterrupted sunshine, a postcard-perfect backdrop that enhanced the vibrancy of the performances and coastal festival vibes.